photoFree-form surfaces milled straight from the 3D model, and copper pushed into shape a fraction of a millimetre at a time.
What we cannot reach with our knowledge, we reach with our imagination. And then our curiosity bridges the gap.
We are a small architectural design studio with an international team, working out of a 900 sqm factory in Burmarrad, Malta. Design and fabrication are one intertwined process here, not two steps — the drawing office is upstairs and the machines are downstairs.
We work across three disciplines — practice, research, teaching — and three facets: design, research & innovation, fabrication. We start naïve on purpose. We end careful.
We don’t claim perfect predictive certainty. When something fails, that is information, and we say so.
We are a small Maltese studio. We design buildings, fit-outs, joinery and the careful, ordinary things people ask of a studio like ours. Alongside that work, we want to design more carefully for the way energy and life actually move through the things we make.
A wall is not just a wall. A façade is not a finish. A reef on the seabed is not a sculpture. Each is a layer between people and place, and we want to design those layers on purpose.
What we cannot reach with our knowledge or experience, we reach with our imagination. And then our curiosity bridges the gap.
We start most things naïve, on purpose, and we think by making. The scale and the audience change. The intention does not.
— Matter Make
The naïve question first. What is this really for?
Climate, light, water, how people move. The environment is the brief.
Samples and mock-ups in our own workshop, when trying it first takes the risk out.
CNC, robot, laser, hand — the drawing becomes the cutting file.
Fitted by the team that drew it. Then we go back and look.
Six things that decide how we work — on a school, a reef or a reception desk.
photoFree-form surfaces milled straight from the 3D model, and copper pushed into shape a fraction of a millimetre at a time.
photo413 plywood panels for a vault, or one kitchen — same file, same tolerance.
photoThe first machine in the studio. Still cuts the models, the ceilings and the jigs.
photoA WASP delta printer that builds clay up in thin coils, from a drawing to a vase, a tile or a test piece.
photoWhere machined parts become furniture — fitted on site by the team that drew them.
Starting at €18,000 basic, up to around €28,500 a year with overtime.
We’re looking for a sprayer who takes pride in a flawless finish.
Coming from car spraying? You’re welcome here. We’ll teach you furniture finishes.
Starting at €16,000 basic, up to around €25,000 a year with overtime.
We’re looking for a joiner who values teamwork, curiosity and craft.
Bring the right attitude, and we’ll teach you the rest.
No opening that fits? Send the question anyway — smile@mattermake.com.